Thursday, January 16, 2014

Hooka Dooka, Soda Cracker, Does Your Mama Chew Tobacker

Dave Van Ronk as sung by Oscar Isaac. Which can only mean it's that time of year again: Oscar Nominations Eve. My dream ballot is below, chosen from AMPAS' list of eligible films. There are some titles still outstanding that I'd like to get around to (OUT OF THE FURNACE, SPECTACULAR NOW, FRUITVALE, BLING RING, FROZEN, WALTER MITTY, WAY WAY BACK) and some that I may or may not bother with, depending on which names are read in a few hours' time (PHILOMENA, SAVING MR. BANKS, RUSH). Onwards!

Best Picture


AMERICAN HUSTLE
BEFORE MIDNIGHT
CAPTAIN PHILLIPS
FRANCES HA 
GRAVITY


HER
INSIDE LLEWYN DAVIS
MUD
NEBRASKA
SHORT TERM 12

Special mentions:

ENOUGH SAID
THE HEAT 

Best Director



Joel and Ethan Coen - INSIDE LLEWYN DAVIS
Alfonso Cuaron - GRAVITY
Spike Jonze - HER
Alexander Payne - NEBRASKA
David O. Russell - AMERICAN HUSTLE



Special mentions:



Noah Baumbach - FRANCES HA
Destin Cretton - SHORT TERM 12
Paul Greengrass - CAPTAIN PHILLIPS
Richard Linklater - BEFORE MIDNIGHT
Jeff Nichols - MUD 



Best Actor


Christian Bale - AMERICAN HUSTLE
Matthew McConaughey - DALLAS BUYERS CLUB
Bruce Dern - NEBRASKA
Oscar Isaac - INSIDE LLEWYN DAVIS
Joaquin Phoenix - HER


Special mentions:



Tye Sheridan - MUD
Leonardo DiCaprio - THE WOLF OF WALL STREET
Tom Hanks - CAPTAIN PHILLIPS
Ethan Hawke - BEFORE MIDNIGHT
Simon Pegg - THE WORLD'S END
Mark Wahlberg - PAIN & GAIN


Best Actress



Cate Blanchett - BLUE JASMINE
Sandra Bullock - GRAVITY
Julie Delpy - BEFORE MIDNIGHT 
Greta Gerwig - FRANCES HA
Brie Larson - SHORT TERM 12


Special mentions:

 

Sandra Bullock - THE HEAT
Julia Louis-Dreyfus - ENOUGH SAID
Melissa McCarthy - THE HEAT

(the rest after the jump)

Thursday, January 10, 2013

Hold your breath and count to ten...

Mere hours away from the big announcement! Which means it's dream ballot time. Unfortunately this year I do this having yet to see ZERO DARK THIRTY (opening tomorrow here in Tarannah). Also LES MIZ, though not so unfortunately. Could not be bothered. On to the categories!

Best Picture



Amour
Argo
Beasts of the Southern Wild
Bernie
Damsels in Distress


Holy Motors
Magic Mike
The Master
Rust and Bone
Silver Linings Playbook



Best Director



Paul Thomas Anderson, The Master
Leos Carax, Holy Motors
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook


Special mentions:


Ben Affleck, Argo
Jacques Audiard, Rust and Bone
Richard Linklater, Bernie
Steven Soderbergh, Magic Mike
Quentin Tarantino, Django Unchained
Benh Zeitlin, Beasts of the Southern Wild



Best Actor



Bradley Cooper, Silver Linings Playbook
Denis Lavant, Holy Motors
Joaquin Phoenix, The Master
Matthias Schoenaerts, Rust and Bone
Jean-Louis Trintignant, Amour


Special mentions:


Jack Black, Bernie
Daniel Day-Lewis, Lincoln
Mark Duplass, Your Sister's Sister
Richard Gere, Arbitrage
John Hawkes, The Sessions
Channing Tatum, 21 Jump Street



Best Actress



Linda Cardellini, Return
Marion Cotillard, Rust and Bone
Nina Hoss, Barbara
Emmanuelle Riva, Amour
Quvenzhané Wallis, Beasts of the Southern Wild


Special mentions:

Emily Blunt, Your Sister's Sister
Rosemarie DeWitt, Your Sister's Sister
Jennifer Lawrence, Silver Linings Playbook

(the rest after the jump)

Friday, April 6, 2012

Cajun Style!

THE WAR ROOM (1993)
Criterion Collection

Dir. Chris Hegedus and D. A. Pennebaker


At a brisk 95 minutes, ‘The War Room’ is an engaging and informative behind-the-scenes look at the 1992 presidential campaign of then-governor Bill Clinton, from his shaky beginnings in the democratic primaries to his landslide victory against incumbent George H. W. Bush on election night. The events that unfold throughout out the campaign are seen primarily from the perspective of Clinton’s Director of Communications, George Stephanopoulos, and a fiery Lead Strategist by the name of James Carville, introduced as the Ragin’ Cajun. Both men have since become household names in the American political sphere, but the documentary affords the audience the opportunity to get a first-hand glimpse of the incredibly bright, ambitious, charismatic and visionary minds behind the very successful campaign that reminded the voters that “It’s the economy, stupid” and circumvented the attacks from the Bush campaign on Clinton’s character, including numerous allusions to the draft.


In stark contrast to most contemporary documentaries, no names appear onscreen to guide the audience through the numerous cast of characters on either side of the political spectrum, but dedicated CNN viewers and other political enthusiasts will recognize less well-known personalities such as Paul Begala and John King. The film also focuses briefly on Mary Matalin, the Deputy Campaign Manager for the Bush/Quayle ticket and Carville’s significant other. The relationship between the two has always been the subject of much interest, due to their vast political differences, and the film shows both in peak form attacking the other side in their professional roles, while keeping their personal relationship intact. There is ample footage of the politicians themselves, including Clinton and his family, but the hub of activity and excitement is the War Room itself, where the campaign strategy sessions occur, not to mention the campaign offices, where the many unnamed staff and volunteers work tirelessly alongside Stephanopoulos and Carville towards the common goal. ‘The War Room’ is a feat, not least of all because it shows the audience how campaigns were run before the advent of the 24-hour news cycle. American politics has changed significantly since the events of this film, and Hegedus and Pennebaker have created a piece of work that perfectly encapsulates the state of American political discourse at a crucial point in recent history. It is valuable viewing for all.

Monday, January 23, 2012

It's That Time of Year Again...

Less than 12 hours to go, which means it's dream ballot time!

Best Picture


The Artist
Drive
Jane Eyre
Martha Marcy May Marlene
Moneyball


A Separation
Submarine
Take Shelter
Tinker Tailor Soldier Spy
Weekend


Best Director


Tomas Alfredson, Tinker Tailor Soldier Spy
Michel Hazanavicius, The Artist
Terrence Malick, The Tree of Life
Bennett Miller, Moneyball
Nicolas Winding Refn, Drive


Best Actor


Demián Bichir, A Better Life
Jean Dujardin, The Artist
Michael Fassbender, Shame
Peyman Moaadi, A Separation
Michael Shannon, Take Shelter


Special mentions:


Tom Cullen, Weekend
Joseph Gordon-Levitt, 50/50
Ryan Gosling, Drive
Woody Harrelson, Rampart
Peter Mullan, Tyrannosaur
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball


Best Actress


Olivia Colman, Tyrannosaur
Adepero Oduye, Pariah
Elizabeth Olsen, Martha Marcy May Marlene
Charlize Theron, Young Adult
Kristen Wiig, Bridesmaids


Special mentions:

Viola Davis, The Help
Kirsten Dunst, Melancholia
Keira Knightley, A Dangerous Method
Rooney Mara, The Girl with the Dragon Tattoo
Tilda Swinton, We Need to Talk About Kevin


Best Supporting Actor


Albert Brooks, Drive
Patton Oswalt, Young Adult
Brad Pitt, The Tree of Life
Christopher Plummer, Beginners
Max Von Sydow, Extremely Loud and Incredibly Close

Special mentions:


Benedict Cumberbatch, Tinker Tailor Soldier Spy
Armie Hammer, J. Edgar
Tom Hardy, Tinker Tailor Soldier Spy
Viggo Mortensen, A Dangerous Method
Mark Strong, Tinker Tailor Soldier Spy


Best Supporting Actress


Jessica Chastain, The Help
Elle Fanning, Super 8
Anna Kendrick, 50/50
Carey Mulligan, Shame
Octavia Spencer, The Help

Special mentions:


Bryce Dallas Howard, The Help
Amy Ryan, Win Win


Adapted Screenplay


Jane Eyre - Moira Buffini
Moneyball - Story by Stan Chervin; Screenplay by Aaron Sorkin, Steve Zaillian
The Muppets - Jason Segel, Nicholas Stoller
Submarine - Richard Ayoade
Tinker Tailor Soldier Spy - Bridget O'Connor, Peter Straughan


Original Screenplay


Bridesmaids - Annie Mumolo, Kristen Wiig
A Separation - Asghar Farhadi
Take Shelter - Jeff Nichols
Weekend - Andrew Haigh
Win Win - Thomas McCarthy, Joe Tibani


Special mentions:

50/50 - Will Reiser
Pariah - Dee Rees
Rango - Story by James Ward Byrkit, John Logan, Gore Verbinski; Screenplay by John Logan
Young Adult - Diablo Cody


Cinematography


Drive - Newton Thomas Sigel
Jane Eyre - Adriano Goldman
Melancholia - Manuel Alberto Claro
Tinker Tailor Soldier Spy - Hoyte Van Hoytema
The Tree of Life - Emmanuel Lubezki


Special mentions:

The Girl with the Dragon Tattoo - Jeff Cronenweth
Moneyball - Wally Pfister
Rampart - Bobby Bukowski


Original Score

A Better Life - Alexandre Desplat
The Girl with the Dragon Tattoo -
Trent Reznor, Atticus Ross
Jane Eyre - Dario Marianelli
Moneyball - Mychael Danna
The Skin I Live in - Alberto Iglesias


Animated Feature

Rango


Documentary Feature

Bill Cunningham New York
Paradise Lost 3: Purgatory
Pina
Project Nim


Foreign Language Film

A Separation


Until tomorrow!


Saturday, August 13, 2011

"Can We Just Keep it Secular, Honey?"



Introducing The Latino Twins of Doom. I would expect nothing less than slow walking away from a fiery inferno of dead Mexican workers, Latino Twins of Doom.

Last year I watched a show called Breaking Bad. I don’t want to fall into the fan boy trap of hyperbolic gushing, so I will only say that the show was so balls-droppingly brilliant I was crying in a corner whilst listening to opera and giving myself Chinese burns. Trap averted.

I never thought I would simultaneously love and hate so many characters after the mountain-top experience that is The Wire. Having just watched The Tree of Life, I can say that in many aspects, what TOL is to film, Breaking Bad is to television. Not all aspects, but many. O.K, maybe we take the hyperbole, maybe we put it aside. But it should be said that Breaking Bad is one of the most exciting dramas on the talky box right now. Needless to say, I’m very excited for season 4. But I’ll be more excited after I’ve watched season 3.

I think Anita wonderfully described what we'll be doing, so here are my thoughts on 3.1 Finally!*

The opening scene gave me the heebie jeebies. Show me a man who is not shaken watching people crawl towards a shrine housing a creepy Indiana Jones skull and I’ll show you Omar Little. (I like The Wire a lot.)

I call it right now, those creepy latino psycho twins will haunt my dreams and my subway rides in the weeks to come. There’s a scene where they drive up to some family’s house, change their fly clothes for hobo clothes, then stare at a little girl before throwing their car keys on the horns of a goat. (Or a ram? Some kind of lamb? I’m not making any definite claims about what that was.) The little girl staring contest went on just long enough to make me think a massacre was imminent.

And then there was a massacre! The twins delivered on their implied bad assness, but those killed were Mexicans attempting to cross the border with some asshole white guy. What struck me as odd is the twins dnotdifferentiating between the baddie white man and the innocent Mexicans. It's like being a minority doesn't count! Even the way it was done, I mean, I've seen people blown up on television countless times, yet I was still creeped out by this. Also, the skulls on the Latino Twins of Doom’s boots are significant. I’m sure they’re referencing not only Alexander McQueen, but also denoting straight up OG-ness.

By far, the best part of this episode is Walter trying to explain to students at a school assembly how the plane crash from Season 2 could happen - but actually trying to rationalize his own actions. We get gems like “what you’re left with, casualty-wise, is just the 50th worse air disaster,” which could possibly be the worst thing to say to a room-full of traumatized kids. This is us seeing Walter’s flaws in stark daylight. The logic and mathematical problem solving with which he navigates social situations, often to his advantage in times of dangerous meth-cooking, is not useful here. Pure rationalization cannot solve these problems. If one life is disposable, what does that mean about any of us?

“We survive and we overcome, we survive, we survive.”

Hearing Walter insist this in front of a room full of people is amazing on so many levels.

In conclusion: GO SCIENCE! YEAH, Mr. WHITE! YEAH BREAKING BAD! YEAH, NON-FANBOY CRITICISM!

*Anita has had to ride my ass to get me type this. I don't know why I took so long. This is awesome.

Thursday, June 23, 2011

Breaking down Breaking Bad: an amuse-bouche

Breaking Bad's fourth season begins July 17th. Sarah and I watched the first two seasons last year and DIEEEEEEEED. Other than The Wire, I have never heard the overwhelming amount of praise for a show I've heard for Breaking Bad. People fall over themselves trying to describe what a magnificent vision it is. From the first few minutes of the pilot it is obvious that this is no exaggeration. It has some of the strongest writing I have ever seen on a TV show, and the two protagonists are cast more brilliantly than words can describe. Bryan Cranston consistently gives the best performance by anyone on television (and winning an Emmy three years in a row is a pretty sweet vindication of that; there is just no competition - I'm looking at you, Jon Hamm. Pfft). Aaron Paul, who won a well-deserved Emmy this past year, is a considerable partner to Cranston. Their chemistry (more on that later) is palpable onscreen and it is one of the best things about the show.


If you will kindly take a look at the bone-chilling and endlessly satisfying poster for season four, you can see that the title card for the show uses elements from the periodic table. This simple yet clever artistic decision alludes to the fact that Walter White (Cranston) is a high school chemistry teacher who, upon learning that he has lung cancer, begins to use his considerable knowledge of chemistry to cook crystal meth. He goes into business with his former high school student Jesse Pinkman (Paul), who happens to be in the meth market already. Walter's ultimate goal is to earn enough money so his pregnant wife and son, who has cerebral palsy, can be financially secure once he dies.

As can be expected, Breaking Bad is, for the most part, a very heavy and intense show. The aforementioned brilliance in writing and acting make you incredibly invested in the characters, which can be quite emotionally draining. That said, the scenes with Jesse and Mr. White cooking meth and butting heads are so expertly done and contain such great comedic moments that you will never run the risk of burning out.

I don't want to ramble more than I already have. This is all a prelude to us watching and writing about the third season in preparation for the fourth season premiere in July. I do want to give a special mention to RJ Mitte, who plays Walt's son, Walt Jr. His portrayal of the character is stunning and his interactions with Walt Sr. are often some of the most emotional scenes in the series. Yet he's also often the source of much of the humour on the show. All this makes him, in my eyes at least, one of the best characters not only on this show, but anywhere on TV. Suck it, Jon Hamm!*

*I quite like Jon Hamm. On 30 Rock. And SNL.